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What answers can classical music offer to today’s major social and environmental issues? How can a musician respond? Patricia Kopatchinskaja describes her Dies irae as “a play without a plot, intended as an assault on the senses.” It’s a caustic indictment of bellicosity and the ongoing climate crisis. Kopatchinskaja transports you from Battalia à 10 in D, Heinrich Biber’s baroque evocation of war, to Black Angels by George Crumb – an iconic composition criticising the Vietnam War. She concludes with Galina Ustvolskaya’s devastating Dies irae, in which Kopatchinskaja herself plays percussion.

Meeting @ Globe Aroma → 18:15

Interested? Contact Gladys artforall@globearoma.be